From my sketchbook
I like to start messy — a pencil sketch, a rough shape, a color that feels right before it makes sense. Story comes before polish, and a design usually isn't done until it feels a little playful. I care more about a piece having personality than being perfectly symmetrical.
Right now I'm curious about riso-print textures, small looping character animations, and the folk patterns I grew up seeing around Vietnam. Half sketchbook experiments, half rabbit holes — not every one turns into a finished piece, but they all feed the next one.
